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Peter Hübner
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Faculty of
MUSIC & MUSICOLOGY
Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 2

X.
THE ULTIMATE GOAL OF GAINING KNOWLEDGE
IN MUSIC

Ultimate Knowledge
in Music

The Creative Power
of the Absolute
Sound-Substance

The Art of Discrimination
in Music

The Art of Not Being
Bound in Music

The Six Treasures
of Musical Cognition

Control over the Mind

Control over the Sense
of Hearing

Abstaining from Limitation

Patience

Belief

Equanimity

Desire for Liberation

 

 

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UNIVERSAL MUSIC THEORY 2
The Practical Fundamentals of Universal Cognition
.
 
PART   X
     
 
THE ULTIMATE GOAL OF GAINING KNOWLEDGE IN MUSIC
     
         
 
Desire for Liberation


   
 
If, in the state of su­preme mu­si­cal ful­fil­ment, we im­merse our radi­ant eye into the lim­ited mu­si­cal worlds of the se­quences, the mo­tifs, and the sounds, then we no­tice in our in­ner, radi­ant ful­fil­ment a very in­con­spicu­ous shadow of non-ful­fil­ment.
And we real­ize that this tiny shadow of non-ful­fil­ment is as­so­ci­ated with our­selves look­ing out into the lim­ited mu­si­cal world – that this look­ing out en­tails a min­ute bond­age of our free mu­si­cal joy of crea­tiv­ity to the lim­ited world of form­ing the tones.

 
The Free Joy of Creativity Being Bound to the Limited World of the Musical Formation of Tones
 
 
There­fore, we want to turn our vi­sion back and keep it stead­ily di­rected to­wards the per­fect mu­si­cal force-field of the har­mony, for this ab­so­lu­te mu­si­cal world alone guar­an­tees us un­spoiled ful­fil­ment.
Our de­sire to elimi­nate even the most min­ute im­pair­ment of our per­fect mu­si­cal ex­peri­ence stems from our natu­ral in­ner­most strive for the com­plete re­lease of our in­ner­most crea­tive power.

 
The Natural Desire of the Creative Music Listener for Complete Release of His Innermost Creative Power
 
 
But then we ob­serve that, along with re­tir­ing our at­ten­tion from the rela­tive mu­si­cal proc­ess of know­ing, all life van­ishes in this lim­ited world of mu­sic.

 
The Light of Life of Truth in Music
 
 
And when we imag­ine now the new mu­sic lis­tener who is still at the outset of his rela­tive mu­si­cal road to knowl­edge, and when we imag­ine how, with our re­treat from the rela­tive mu­si­cal fields of knowl­edge, even the last ray of light of fac­tual mu­si­cal knowl­edge fades for him, then we de­cide at our own dis­cre­tion and in fa­vour of the mu­sic lis­tener who as­pires to knowl­edge, to leave our at­ten­tion – from the ab­so­lu­te mu­si­cal level of the har­mony – on the rela­tive mu­si­cal force-fields of the mu­si­cal proc­ess of gain­ing knowl­edge, even if we thereby re­duce our per­sonal com­plete mu­si­cal ful­fil­ment by a min­ute de­gree.

   
 
Now we de­cide in fa­vour of that in­ner de­sire for lib­era­tion which we know to be pre­sent in eve­ry mu­sic lis­tener.
It was this so fun­da­men­tally hu­man de­sire for lib­era­tion that once urged us to enter the path of mu­si­cal gain­ing knowl­edge, that firmly held us there, and that let us com­plete the mu­si­cal proc­ess of know­ing un­per­turbedly.

 
In the True Tone Creator the Love of Man Dominates over the Love of Music
 
 
How­ever, suc­cess was pos­si­ble only be­cause be­fore, within the ab­so­lu­te mu­si­cal force-field of the har­mony, an­other mu­sic lis­tener, now turned mu­sic crea­tor, had freely de­cided in our fa­vour to keep his at­ten­tion in the rela­tive mu­si­cal force-fields, to per­son­ally light us the path of knowl­edge into the in­fin­ity of the har­mony.

 
The Tradition of Music Creators
 
 
And here we wit­ness the birth of a tone crea­tor – of a mu­sic crea­tor.

   
     
     
                                   
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
                                     
                                     
             
                                     
                                     
                                     
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