WORLD UNION OF THE ACADEMIES OF ACADEMIC EXCELLENCE
WORLD UNION OF THE ACADEMIES OF ACADEMIC EXCELLENCE
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO ACADEMIC LIFE
   Faculties:   Music & Musicology · Philosophy · Medical Sciences · Education · Pythagoras · Consciousness · Humanities · Natural Science · The Dragon · The Veda · Culture · Opera & Arts
. . .Deutsche Übersetzung in Arbeit

 


Home

Site Map

Grundgesetz der Akademie

The Cosmic
Education Program

Introduction

Academic Institutes

Peter Hübner
Developer of the University

 

Faculty of
MUSIC & MUSICOLOGY
Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 1

XI.
THE SCIENCE OF MUSIC

The Scope of the
Science of Music

The Inner Breath of Music

The Function of the
Inner Breath in Music

The Scientific Aspect
in Music

The Perfect Musical
Description

The Twofold System
of Music Analysis
of the Composer

The Aspect of
Humanities in Music

The True Field of
Science in Music

The Sociology of Music

The Ecology of Music

The Physics of Music

The Physiology of Music

The Economy of Music

Music Critique

Dance in Music

 

 

Astronomy of Mind EQ x IQ

Hall of Harmony

International Experts

Educational Program
Health

Scientific Research

International Media

International Congresses

Membership

Application to the Academy

 

 






UNIVERSAL MUSIC THEORY 1
The Practical Fundamentals of Universal Creativity
  PART   XI            
  THE PROCESS OF CREATING MUSIC            
         
 
The Scientific Aspect in Music


    
 
The as­pect of natu­ral sci­ence in mu­sic con­cerns the natu­ral­ness of mu­sic, and that which is na­ture-given in mu­sic; that which in mu­sic cor­re­sponds to na­ture, and that which is na­ture it­self in mu­sic.

  
The Share of Nature in Music
  
 
  1. In­so­far as the Self is na­ture-given and in­her­ent in man, mu­sic at its basis is con­cerned with sci­en­tific re­search;
  2. for, with his Self the mu­si­cal crea­tor de­sires the mu­sic on the level of his mind;
  3. for, with his Self he con­trols and struc­tures the mu­sic on the level of the mind through his in­tel­lect;
  4. for, with his Self he lis­tens to the mu­sic through his sense of hear­ing on the level of the mind.

  
Scientific Research on the Field of the Originator of Music
  
 
In­so­far as the in­tel­lect, the means of gain­ing knowl­edge, is na­ture-given and innate in man, mu­sic at its basis is con­cerned with sci­en­tific re­search;
  1. for, with his in­tel­lect the mu­sic crea­tor con­trols and struc­tures the mu­sic on the level of the mind.

  
Scientific Research on the Field of the Music Creator
  
 
In­so­far as the sense of hear­ing is na­ture-given and innate in man, mu­sic at its basis is con­cerned with sci­en­tific re­search;
  1. for, with his sense of hear­ing the mu­si­cal crea­tor hears the mu­sic on the level of his mind.

  
Scientific Research on the Field of Music Listening
  
 
In­so­far as the mind is na­ture-given and innate in man, mu­sic at its basis is con­cerned with sci­en­tific re­search;
  1. for, with his mind as his origi­nal mu­si­cal in­stru­ment, the mu­sic crea­tor cre­ates the mu­sic.

  
Scientific Research on the Field of the Musical Artist
  
 
In­so­far as the neu­ro­physi­ol­ogy is na­ture-given and innate in man, mu­sic at its basis is con­cerned with the field of sci­en­tific re­search;
  1. for, with his neu­ro­physi­ol­ogy the mu­sic crea­tor per­ceives the outer, in­di­vid­ual ef­fect of his mu­sic.

  
Scientific Research on the Field of the Musician and the Listener
  
 
In­so­far as the en­vi­ron­ment is na­ture-given and given to man by fate, even the outer mu­si­cal per­form­ance is con­cerned with sci­en­tific re­search;
  1. for, with the help of his en­vi­ron­ment the mu­sic crea­tor per­ceives the outer so­cial ef­fect of his mu­sic.

  
Scientific Research on the Field of the Music Performance
  
     
     
                                 
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
                                     
                                     
             
     
.