For the next logical step to the states of consciousness related to the text please click on the numbers.

The Inner Activity of the Motifs

Based on this insight, one may say that the overtone motifs,
4. 4, 5, 11. 20, 21, 18. 32, 33

active within the sound,
5. 6, 7, 10. 18, 19, 17. 30, 31

are related to the apparent motifs – which are nothing but successions of tones – in the same way as someone’s inner unfoldment of personality 4-21
5. 7, 8, 9, 6. 10, 11, 7. 12, 8. 13, 9. 14, 15, 10. 16, 17, 18, 15. 25,
16. 26, 27, 17. 28, 29, 30
7, 8, 15
6, 9, 16
4, 11, 18
5, 10, 17

is related to his outer activity.
1-3

Overtone Motifs Sound-Space

If this “inner activity” of the overtone motifs
5. 6, 7, 10. 18, 19, 17. 30, 31

does not take place in the microcosm of music,
4. 4, 5, 11. 20, 21, 18. 32, 33

it corresponds to the movements of a robot, which may look like human yet has no life.