THE CLASSICAL COMPOSER AND MUSICOLOGIST PETER HÜBNER
on his International Project of the INTEGRATION OF SCIENCES & ARTS
 
 

NATURAL
MUSIC CREATION


OUVERTURE
THE IMMORTAL ENCHANTED REALM OF THE QUEEN OF MUSIC


TEIL I
THE PROCESS OF CREATING MUSIC


TEIL II
THE CLASSICAL TEACHING SCOPE OF MUSIC


TEIL III
THE INNER MECHANICS OF CREATING MUSIC


TEIL IV
DIDACTICS OF MUSIC


TEIL V
THE FORCE-FIELDS IN MUSIC


TEIL VI
THE PURPOSE OF MUSIC TRADITION


TEIL VII
SPACE AND TIME IN MUSIC


TEIL VIII
THE PHYSICS OF MUSIC


TEIL IX
THE SYSTEMS OF ORDER IN MUSIC


TEIL X
SCIENTIFIC FUNDAMENTALS OF MUSIC AESTHETICS


TEIL XI
THE SCIENCE OF MUSIC


TEIL XII
MUSIC AND SPEECH


Modern Music Analysis


 
To­day’s sci­en­tific ob­jec­tive age no longer concedes its great minds this kind of “heroism”, and in diligent ea­ger­ness the sim­ple inquisitive mind of the sci­en­tist at­tempts to convey an exact pic­ture of re­al­ity wher­ever he finds it.
Natu­rally, this sen­si­ble pur­pose­ful at­ti­tude of the ana­lyti­cal think­ers of our time – es­pe­cially of the quali­fied ones – is also found in the mu­si­cal crea­tors of the pre­sent.

 
The Interpreter as an Expert
Thus, to­day the time has come where our criti­cal con­tem­po­rary minds, through pro­found, sys­tem­atic sci­en­tifi­cally-ori­ented re­search verify the mecha­nism of in­ner crea­tiv­ity.

 
This also in­cludes the sim­ple, ob­jec­tive at­ti­tude, by which the com­poser ex­am­ines the com­po­nents which de­ter­mine his in­ner crea­tive proc­ess, and quantifies their re­spec­tive share in pro­duc­ing the mu­si­cal work.

 
The Magic Veil of Music
And the in­ter­preter, too, will be iden­ti­fied sim­ply as an ex­pert, and his plat­form – the raised stage – will be brought di­rectly into the au­di­ence.

 
At this point there­fore, we want to raise the magic veil of mu­sic and, through sim­ple re­flec­tion, place the in­ner se­cret of the magic power of mu­sic into the light of sys­tem­atic, sci­en­tific veri­fi­ca­tion.