THE CLASSICAL COMPOSER AND MUSICOLOGIST PETER HÜBNER
on his International Project of the INTEGRATION OF SCIENCES & ARTS
 
NATURAL
MUSIC HEARING


OUVERTURE
CONVEYING TRUTH IN MUSIC


TEIL I
THE OBJECT OF GAINING KNOWLEDGE IN MUSIC


TEIL II
THE LOGIC OF THE MUSICAL FIELDS OF COGNITION


TEIL III
IMMORTAL AND MORTAL TRADITION OF MUSIC


TEIL IV
THE LIVING EXAMPLE OF THE MUSICAL COGNITION OF TRUTH


TEIL V
THE THREE GREAT STEPS OF THE MUSICAL PROCESS OF GAINING KNOWLEDGE


TEIL VI
THE SYSTEM OF INTELLECTUAL DISCUSSION IN MUSIC


TEIL VII
ERRORS IN GAINING KNOWLEDGE IN MUSIC


TEIL VIII
EQUIVOCATION


TEIL IX
THE SECRET OF MUSIC


TEIL X
THE ULTIMATE GOAL OF GAINING KNOWLEDGE IN MUSIC


TEIL XI
INDIRECT AND DIRECT GAINING KNOWLEDGE IN MUSIC


TEIL XII
THE PATH OF KNOWLEDGE AND THE GOAL OF TRUTH


The Harmonizing Nature
of True Classical Music


 
The na­ture of true clas­si­cal mu­sic is such that, even at its root, it rules out such ef­fects be­cause it is ca­pa­ble of bring­ing ful­fil­ment to our search for knowl­edge.
Origi­nal clas­si­cal mu­sic aims at the in­te­grated knowl­edge of the mu­si­cal truth be­yond space and time and of the mu­si­cal re­al­ity within space and time, and it is able to con­jure up this knowl­edge in a keen lis­tener.

 
Integrated Knowledge of the Musical Truth
In the proc­ess of gain­ing mu­si­cal cog­ni­tion, there­fore, doubt re­sults only from the in­abil­ity to com­pre­hend the natu­ral un­ion of the two given mu­si­cal full­nesses, and this lack of in­sight leaves the lis­tener be­hind unsat­is­fied on his path of gain­ing knowl­edge in mu­sic.

 
The Music Listener Abandoned
How­ever, the pur­pose proper of gain­ing mu­si­cal knowl­edge is to melt these two full­nesses – the one we ex­plore by lis­ten­ing to mu­sic, and the one which re­veals it­self to us when we cre­ate mu­sic – into a sin­gle full­ness, to make one com­mon full­ness out of two full­nesses.

 
Fusing the Two Fullnesses of Music
In­deed, dis­pel­ling any doubt in the lis­tener is the pur­pose of true clas­si­cal mu­sic, which arises from a state of doubt­less­ness in the com­poser, from the natu­ral state of unity – sus­tained by his continu­ous per­cep­tion of the vi­brat­ing ab­so­lu­te sound-sub­stance in his own mu­si­cal tools of cog­ni­tion.

 
The Purpose of True Classical Music