THE CLASSICAL COMPOSER AND MUSICOLOGIST PETER HÜBNER
on his International Project of the INTEGRATION OF SCIENCES & ARTS
 
NATURAL
MUSIC HEARING


OUVERTURE
CONVEYING TRUTH IN MUSIC


TEIL I
THE OBJECT OF GAINING KNOWLEDGE IN MUSIC


TEIL II
THE LOGIC OF THE MUSICAL FIELDS OF COGNITION


TEIL III
IMMORTAL AND MORTAL TRADITION OF MUSIC


TEIL IV
THE LIVING EXAMPLE OF THE MUSICAL COGNITION OF TRUTH


TEIL V
THE THREE GREAT STEPS OF THE MUSICAL PROCESS OF GAINING KNOWLEDGE


TEIL VI
THE SYSTEM OF INTELLECTUAL DISCUSSION IN MUSIC


TEIL VII
ERRORS IN GAINING KNOWLEDGE IN MUSIC


TEIL VIII
EQUIVOCATION


TEIL IX
THE SECRET OF MUSIC


TEIL X
THE ULTIMATE GOAL OF GAINING KNOWLEDGE IN MUSIC


TEIL XI
INDIRECT AND DIRECT GAINING KNOWLEDGE IN MUSIC


TEIL XII
THE PATH OF KNOWLEDGE AND THE GOAL OF TRUTH


The Music Listener
at the Origin of All Creative Thinking


 
Once the lis­tener has reached the field of cos­mic think­ing, he has si­mul­ta­ne­ously at­tained the di­men­sion of cos­mic hear­ing.

In the mu­si­cal force-field of the har­mony he ex­peri­ences the most ele­men­tary im­pulse of his mu­si­cal hear­ing which turns out to be the very first, the ini­tial, tone-endowing, tone-crea­tive cos­mic im­pulse of the mu­si­cal force of form­ing.

 
The Music Lover in the Field of Cosmic Thinking Experience of the Cosmic Impulse of the Musical Formative Force
By vir­tue of clas­si­cal mu­sic, the field of in­ner-men­tal ex­peri­ence is fath­omed sys­tem­ati­cally – broadened, deepened.

 
The Fundamentals of Inner Musical Education
While ini­tially the lis­tener ap­pre­ci­ates the mu­sic as still be­ing quite lim­ited, dur­ing the proc­ess of gain­ing knowl­edge in mu­sic the struc­ture of the com­po­si­tion be­gins to as­sume more and more com­pre­hen­sive states of vi­bra­tion in his mind.
Then, the as­pects of space and time ex­pand; the mu­si­cal pa­rame­ters strive apart more and more, yet con­verge at the same time.
The tones, mo­tifs and se­quences be­come more and more com­pre­hen­sive and si­mul­ta­ne­ously more and more in­te­grated.

 
With the Music into the Depth of Music
The Music Lover Enters the World of Pure Music
Within the sin­gle tone, the sin­gle motif and the sin­gle se­quence, but just as well within the en­tire mu­si­cal think­ing, space and time fi­nally attain the value of un­bounded in­fin­ity.

 
The Experience of Space-Time Integration
In this moment a space-time in­te­gra­tion takes place; in the state of rest­ful alert­ness the inward mu­si­cian ex­peri­ences the har­mony and in it: the ab­so­lu­te “Now.”

 
The Mu­sic Lover Ex­peri­ences the Ele­men­tary Im­pulse of His Mu­si­cal Crea­tive
To the lis­tener, in this moment past, pre­sent, and fu­ture merge into unity in the ab­so­lu­te “Now” and are per­ceived in the self-aware­ness as a natu­ral un­ion. Here, where the lis­tener rec­og­nizes: “I am,” where he truly awak­ens, the pri­mary im­pulse of his in­di­vid­ual crea­tive force in the ab­so­lu­te “Now” op­er­ates with this ini­tial origi­nal thought “I am.”

 

The Secret Way of Our Great Composers
On the level of cos­mic think­ing the lis­tener ex­peri­ences the ori­gin of all crea­tive think­ing in the har­mony.

 
From this height of hu­man evo­lu­tion all great com­pos­ers cre­ated and cre­ate their im­mor­tal works

And what was and is avail­able to the great com­pos­ers so far – that au­then­tic ex­peri­ence of the truly first mu­si­cal thought – is also avail­able now to the mu­sic lis­tener, to the mu­sic lover, to the mu­si­cian, and to the mu­sic teacher.

 
The Music Lover Beholds the Workshop of the Great Music Creators

“If he knows how to es­tab­lish con­tact to that power, he be­comes a pro­jec­tor who car­ries the in­fi­nite and the in­visi­ble into the world of the visi­ble or, in the case of com­pos­ing, into the world of the au­di­ble.”

Max Bruch