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Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 2

II.
THE LOGIC OF THE MUSICAL FIELDS OF COGNITION

Empirical Gaining
Knowledge in Music

The Unlimited Course
of Life in Music

The Levels of Gaining
Knowledge in Music

The Process of
Musical Perception

The System of Musical Deduction

The Technique of
Musical Comparison

The Steps of Musical
Cognition

Creating Music as an
Empirical Process
of Knowing

The Authentic Musical Statement

Integration of Outer
and Inner Musical
Knowledge

 

 

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UNIVERSAL MUSIC THEORY 2
The Practical Fundamentals of Universal Cognition
.
 
PART   II
     
 
THE LOGIC OF THE MUSICAL FIELDS OF COGNITION
     
         
 
The Authentic Musical Statement


   
 
The crea­tive mu­sic lis­tener and the mu­sic crea­tor achieve an au­then­tic mu­si­cal state­ment when fi­nally their outer and in­ner mu­si­cal in­sight of truth pro­duce one sin­gle, in­te­grated mu­si­cal state­ment.
This ho­lis­tic state­ment rep­re­sents the per­fect unity of the mu­si­cal truth per­ceived from with­out and from within.

 
Integration of Outer and Inner Insight of Truth in Music
 
 
The au­then­tic mu­si­cal state­ment then re­sults sys­tem­ati­cally-logi­cally from the com­pari­son men­tioned above.

 
The Musical First Performance of All First Performances
 
 
The au­then­tic mu­si­cal state­ment pro­duces the per­fect mu­si­cal con­cert within the crea­tive mu­sic lis­tener.

   
 
This first mu­si­cal per­form­ance of all first per­form­ances is the mu­si­cal play of pure self-aware­ness with it­self on the level of the har­mony, and it com­bines in the lis­tener the unlim­ited mu­si­cal crea­tion of truth with the per­fect con­vey­ance of truth.

 
True Musical Tradition
 
 
The tech­nique of com­pari­son in mu­sic com­bines the cog­ni­tive hear­ing with the proc­ess of cre­at­ing mu­sic, and thus en­ables a crea­tive proc­ess in which the clas­si­cal com­poser is deeply rooted in the tra­di­tion.
There­fore, this tech­nique of com­pari­son guar­an­tees that the mu­si­cal crea­tor is firmly es­tab­lished in his tra­di­tion.

 
The Eternal Presence of Truth
 
 
The in­te­grated mu­si­cal state­ment then rep­re­sents the word of mu­sic of a mu­sic crea­tor an­chored in the tra­di­tion; and now the mu­si­cal tra­di­tion is to him the mu­si­cal, eter­nal pres­ence of truth in the in­fi­nite space of the har­mony, in the spaces of the se­quences, and in the spaces of the mo­tifs but not the lim­ited pres­en­ta­tion of this truth in the sound­ing spaces of mu­sic.

 
The Musical Road to Knowledge from Diversity to Unity
 
 
When lis­ten­ing to mu­sic out­side, the in­tel­lect ana­lyzed the di­ver­sity of the sounds mov­ing in the mu­si­cal sound-space and de­duced the mu­si­cal sense.
Thus, it dis­cov­ered the mu­si­cal mean­ing in the motif-space, in the se­quence-space, and fi­nally in the space of the har­mony and it did so in a more and more com­pre­hen­sive man­ner.

 
Music-Listening Becomes Music-Creating
 
 
Con­cen­trat­ing its in­her­ent ana­lyz­ing abil­ity, the in­tel­lect sys­tem­ati­cally de­duced from di­ver­sity to unity.

   
 
When, in this proc­ess of re­fine­ment of lis­ten­ing, our forces of cog­ni­tion ad­vance to the field of great­est mu­si­cal sub­tlety and most com­pre­hen­sive mu­si­cal or­der, then our in­tel­lect, our feel­ing, and our un­der­stand­ing reach the level of the en­ergy and in­tel­li­gence of pure self-aware­ness.

 
The Natural Unity of Harmony and Self-Awareness
 
 
In this moment our in­tel­lect awak­ens in its syn­the­siz­ing func­tion, and what used to be mu­si­cal analy­sis so far, turns sud­denly into mu­si­cal syn­the­siz­ing what used to be lis­ten­ing to mu­sic so far, turns spon­ta­ne­ously into cre­at­ing mu­sic.

   
 
The road of knowl­edge to the unity of the mu­si­cal mean­ing led our in­tel­lect sys­tem­ati­cally to the ex­peri­ence of pure self-con­scious­ness, be­cause the mu­si­cal in­sight into the world of the har­mony is auto­mati­cally linked with the ex­peri­ence of pure self-con­scious­ness.

   
 
Through the cog­ni­tive forces of our feel­ing, the self-knowl­edge stirred our natu­ral po­ten­tial of syn­the­sis, and so, from the level of our pure self-aware­ness from the space of the har­mony through the se­quence-spaces, through the motif-spaces, and through the mu­si­cal sound-space we made deduc­tions in steps from the natu­ral unity of our in­ner mu­si­cal crea­tive forces to the mul­ti­plic­ity of a new in­ner crea­tion of mu­sic.

   
 
This is the moment when we real­ize that we are mu­si­cally crea­tive.

   
     
     
                               
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
                                     
                                     
             
                                     
                                     
                                     
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