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Peter Hübner
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Faculty of
MUSIC & MUSICOLOGY
Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 2

VII.
ERRORS IN GAINING
KNOWLEDGE IN MUSIC

The Fallacy in Gaining
Knowledge in Music

No Deduction in the
Absolute Musical
Force-Field of the Harmony

The Contradictory in
Gaining Knowledge
in Music

The Answer Being
Equivalent to the
Question in Music

The Level of Perfect
Creativity of the Absolute
Tone-Substance

The Unproved in
Gaining Knowledge
in Music

The Secret Rulers of
the Tonal Stars of Music

The Secret Ruler
of All Music

Knowing the Unreality
of the Outer Musical
Happening

The Belated

 

 

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UNIVERSAL MUSIC THEORY 2
The Practical Fundamentals of Universal Cognition
.
 
PART   VII
     
 
ERRORS IN GAINING KNOWLEDGE IN MUSIC
     
         
 
The Secret Ruler of All Music


   
 
Now we real­ized that in re­al­ity it is the har­mony which, as if al­mighty, de­ter­mines the sound­ing destinies of the mu­si­cal tone-space through the se­quences and the mo­tifs.

 
The Musical Supremacy of the Harmony within the Listener’s View
 
 
How­ever, as we be­came mu­sic crea­tors in the mu­si­cal force-field of the har­mony, we made yet an­other, very dif­fer­ent ex­peri­ence: on the level of a com­pletely new ca­pa­bil­ity of cog­ni­tion we found that, be­yond the rela­tive mu­si­cal proc­ess of gain­ing knowl­edge – the only one we had ex­peri­enced so far – which ex­tended from the mu­si­cal sound-space through the motif and se­quence-spaces to the space of the har­mony, there was yet an­other, in­de­pend­ent, ab­so­lu­te realm of mu­sic in its own right, which was flow­ing along with the great­est of ease, de­tached from all rela­tive mu­si­cal hap­pen­ing, in an in­fi­nite stream of pure mu­sic be­yond space and time in a so newly dis­cov­ered world of the ab­so­lu­te Now, and pro­duced be­fore our crea­tive eye, which sud­denly per­ceived by com­pletely new stan­dards, mu­si­cal worlds of such bound­less di­ver­sity that, in com­pari­son, all our past mu­si­cal knowl­edge ap­peared to us like a mere speck of dust as against the whole uni­verse.

 
The Infinite Flow of Pure Music
 
 
Know­ing be­fore only the rela­tive proc­ess of gain­ing knowl­edge in the realm of mu­sic, we had not at all ex­pected this ab­so­lu­te world of mu­sic. This in­sight took us by sur­prise, and it did so only af­ter we had thor­oughly es­tab­lished our­selves with our tools of cog­ni­tion, feel­ing and un­der­stand­ing, on the level of pure self-aware­ness.

 
The Listener at the Peak of the Musical Process of Knowing
 
 
This newly dis­cov­ered, ab­so­lu­te world of mu­sic in the realm of our pure self-aware­ness unveiled a com­pletely new di­men­sion to us newly awakened mu­sic crea­tors. Look­ing back, we may even say: had some­one told us about this to­tal mu­sic ex­peri­ence, most proba­bly we had con­sid­ered it not only hypothetical and unproven, but per­haps even com­pletely unprov­able!

 
The Great Phase Transition in the Musical Gaining Knowledge
 
 
For from our steps of rela­tive gain­ing mu­si­cal knowl­edge we would not have dared to con­clude such most un­usual and, al­most di­vine di­men­sion of mu­sic.

   
     
     
                                 
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
                                     
                                     
             
                                     
                                     
                                     
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